Jeff's Home Page :: Jazz DVDs and Videos :: Jazz Biopics

Jazz DVDs and Videos - Jazz Biopics

This is a work in progress based on what I've been able to locate and what's available through Amazon.com. Suggestions are welcomed!

The Fabulous Dorseys (1947)
Based on the lives of big-band stars Tommy and Jimmy Dorsey, this biographical chronicle begins with their childhood in an industrial Pennsylvania town. Encouraged in their musical talents by their father, the Dorsey brothers' sibling rivalry proves to be a stumbling block until the their father's death gives them the momentum they need to rise to fame, and they are eventually considered to be among the best bandleaders of the swing era. Appearances by Charlie Barnet, Art Tatum, and Bob Eberly jazz up the musical numbers, featuring such songs as "Green Eyes," "Everybody's Doin' It", "Marie," and "I'll Never Say Never Again." -- Iotis Erlewine, Allmovie.com

Young Man With A Horn (1950)
The life of tragic jazz great Bix Beiderbecke is given the "a clef" treatment in Warner Bros. Young Man With a Horn. Kirk Douglas plays the Beiderbecke character, here named Rick Martin. An ace trumpter player, Martin is one of the few white musicians to flourish in the black-dominated jazz scene of the 1920s. Chafing against the dullness of the "respectable" orchestras for whom he works, Martin finds at least two kindred spirits in the forms of torch singer Jo Jordan (Doris Day) and piano player Smoke Willoughby (Hoagy Carmichael). He rises to popularity with his own group, and along the way falls under the spell of wealthy jazz patroness Lauren Bacall. After marrying Bacall, Martin begins neglecting his music and turns more and more to alcohol. When he skips one of her fancy parties to attend the funeral of his mentor Juano Hernandez, Bacall angrily smashes all his jazz records, effectively ending what was never a very solid relationship. Crawling into a bottle, Martin loses his touch with the trumpet-a heartbreaking sequence, in which he goes to pieces in the middle of the pop standard "With a Song in My Heart". Unlike the real Beiderbecke, who died of alcoholism at the age of 28, Rick Martin is rescued by his faithful friends Day and Carmichael. Kirk Douglas' trumpeteering [sic] in Young Man with a Horn was effectively dubbed by Harry James, while jazz pianists Buddy Cole and Jimmy Zito make uncredited soundtrack contributions. The film was adapted by Carl Foreman and Edmund H. North from a novel by Dorothy Baker. -- Hal Erickson, Allmovie.com

The Glenn Miller Story (1953)
The Glenn Miller Story traces Miller's rise from pit-orchestra trombone player to leader of the most successful big band of his era. June Allyson is on hand as Miller's wife Helen, who learns the value of patience when Glenn spends his wedding night jamming with Gene Krupa and Louis Armstrong. Given an officer's commission during World War II, Miller helms the swingin'est military band ever heard. In December of 1944, a plane carrying Miller disappears while flying over the English Channel. In memoriam, radio stations all over the world suspend their regular broadcasts to play such Miller standards as Moonlight Serenade, Chattanooga Choo Choo and Little Brown Jug. Many of Miller's contemporaries, including his first big-time boss Ben Pollack, appear as themselves. The success of The Glenn Miller Story inspired Universal to give the go-ahead for another musical biopic, 1956's The Benny Goodman Story, with Steve Allen in the title role. -- Hal Erickson, Allmovie.com

The Benny Goodman Story (1955)
Steve Allen makes his dramatic film debut in The Benny Goodman Story. Outside of Goodman's conflicts with his parents over his career choice, and his early frustration over not being able to play his kind of music, the film tends to be more a series of musical highlights than a biography. The film features guest appearances by Gene Krupa, Lionel Hampton, Teddy Wilson, Harry James, Martha Tilton, Ziggy Elman, and Sammy Davis Sr. (as Fletcher Henderson). -- Hal Erickson, Allmovie.com

The Gene Krupa Story (1959)
Sal Mineo, who'd previously registered well as the lead in the TV drama Drummer Man, essays a strikingly similar role in The Gene Krupa Story. The film details Krupa's troubled home life: (he wanted to be a musician; his father wanted him to become a priest), his rise to fame as drummer for the Benny Goodman orchestra, his years on top as a bandleader, and his ongoing problems with drug abuse. A fictional romantic subplot is grafted onto the proceeding involving clearly defined "good" and "bad" girls Ethel Maguire (Susan Kohner) and Dorissa Dinelli (Susan Oliver). Yvonne Craig has an entertaining scene as an anachronistically garbed good-time girl. Craig would later recall that, at the time of shooting The Gene Krupa Story, she weighed more than Sal Mineo, and that in the scene where he's required to lift her off the floor, she virtually had to lift him. Mineo, a drummer of some accomplishment, convincingly wields the sticks during the musical highlights, though the trickier drum solos were dubbed in by Gene Krupa himself. Real-life recording stars Anita O'Day, Red Nichols, Bobby Troup and Shelley Manne make cameo appearances. -- Hal Erickson, Allmovie.com

The Five Pennies (1959)
The Five Pennies is the life story of influential jazz trumpeter Red Nichols, played here by a remarkably straight-faced Danny Kaye. The somewhat romanticized screenplay chronicles Nichols' rise from obscurity, annotates the many future bandleaders who would play with Nichols' "Five Pennies," and details his self-destructive streak and (seeming) inability to conform to changing musical tastes. Weaving in and out of the main story is a sentimental subplot concerning Nichols' physically impaired daughter Tommye, played by Susan Gordon as a child and by Tuesday Weld (in her movie debut) as a young woman. Nichols's long-suffering wife is portrayed by Barbara Bel Geddes. The storyline occasionally lapses into sappiness and the ending is almost impossibly lachrymose, but the musical highlights save the day. Especially memorable is Danny Kaye's duet with Louis Armstrong. Among the real-life musicians who grace the supporting cast of The Five Pennies are Bob Crosby, Ray Anthony, Shelly Manne, and, as Jimmy Dorsey, Bobby Troup. -- Hal Erickson, Allmovie.com

Lady Sings the Blues (1972)
Diana Ross plays the magnificent, tragic song stylist Billie Holliday, who while writhing in a strait jacket in a prison cell, awaiting sentencing on drug charges, reflects on her turbulent life. Raped in her youth by a drunk (Adolph Caesar), then compelled to work as a domestic in a Harlem whorehouse, Holliday is encouraged to try for a singing career by bordello pianist Richard Pryor. She rises as high as it is possible to go in the white-dominated show business world of the 1930s, but can't handle the pressure and turns to narcotics. The film takes several liberties with the 44-year existence of "Lady Day," but Diana Ross makes even the most illogical of plot contrivances credible. And, besides, listen to that voice! Among the Billie Holliday standards performed by Ms. Ross are "My Man", "I Cried for You", "Lover Man", "Them There Eyes" and the title song. -- Hal Erickson, Allmovie.com

Bird (1988)
Apart from being a notorious tough guy, actor/director Clint Eastwood is also a notorious jazz aficionado, and Bird is his sprawling, impressive tribute to one of the great jazz saxophonists of all time, Charlie "Bird" Parker. Parker, one of the originators of bebop, died at an early age due to a long-standing relationship with the high life. Forest Whitaker, who won best actor at the Cannes Film Festival for this role, does an excellent job of capturing the larger-than-life, ultimately destructive man whom many credit for inventing "cool." The film follows Whitaker's somber example, eluding explanations or historical documentation. Though Eastwood has made some very fine movies as a director, Bird is certainly his most accomplished and mature visually. He pulls out techniques that one might not have suspected he had. He also breaks away from the straightforward narrative style of his mentors, Don Siegel and Sergio Leone. Eastwood's almost impressionistic memory montage as Bird lays dying is probably the most striking directorial achievement that he has produced. The narrative is a bit too disorganized to deliver the full thematic punch that the movie strives for, but the performances of (Whitaker and Diane Venora as Bird's wife) and the lasting images make it a significant achievement for Eastwood behind the camera. -- Brendon Hanley, Allmovie.com

Introducing Dorothy Dandridge (1999)
Dorothy Dandridge was a singer, nightclub entertainer, and actress who became the first African-American woman to receive an Academy award nomination as Best Actress (for her standout performance in 1954's Carmen Jones; she lost to Grace Kelly). However, despite her striking beauty and obvious talent, Dandridge was a sexy, glamorous black femme fatale at a time when Hollywood pin-up queens were supposed to be giggly blondes. The film industry didn't know what to do with her, and while her nightclub act was a bit too smooth for the Southern roadhouse circuit, as a black performer she wasn't allowed to stay in many of the hotels and resorts where she performed. Dandridge also had a sad personal life, filled with tragedy and romantic disappointment, and she died of an overdose of pills in 1965, at the age of 41. This made-for-cable biographical drama stars Halle Berry as Dorothy Dandridge, supported by Brent Spiner, Obba Babatunde, and Klaus Maria Brandauer. -- Mark Deming, Allmovie.com

Jeff Helgesen's Home Page | Jazz Films | Jazz Biopics
http://www.shout.net/~jmh/jazz_films/biopics.htm
Maintained by jeff.helgesen@gmail.com.
You are visitor since 7/13/2004.