Jeff's Home Page :: Jazz DVDs and Videos :: Swing Era

Jazz DVDs and Videos - Swing Era

This is a work in progress based on what I've been able to locate and what's available through Amazon.com. Suggestions are welcomed!

Second Chorus (1940)
Though not the best of the Fred Astaire musicals, Second Chorus is the most easily accessible thanks to its current Public Domain status. Astaire and Burgess Meredith play Danny O'Neill and Hank Taylor, friendly-enemy musicians who after spending seven years in a college band aspire to join the Artie Shaw Orchestra. Danny and Hank also spend a lot of time vying over the attentions of their pretty manager Ellen Miller (Paulette Goddard). While Paulette Goddard later became Mrs. Burgess Meredith in real life, guess who wins her hand in this picture? Charles Butterworth steals the show as Mr. Chisholm, a music-loving eccentric who finances Shaw's "swing concerto" concert at Carnegie Hall. Oh, and Fred Astaire dances, too. -- Hal Erickson, Allmovie.com

Orchestra Wives (1942)
In his last screen appearance, bandleader Glenn Miller plays.are you sitting down?.a bandleader. The film's main plot involves small-town girl Anne Rutherford, who impulsively marries George Montgomery, a trumpeter in the Miller band. Rutherford soon finds that she isn't particularly suited for life on the road, nor is she prepared for the petty jealousies and backstabbings prevalent among the other orchestra wives (Lynn Bari, Carole Landis et. al.) She eventually leaves Montgomery, an event which coincides with the breakup of the band. But both the band and the marriage are salvaged through the benign conspiratorial schemes of Glenn Miller and a repentant Rutherford. Those who aren't interested in the various plots and subplots in Orchestra Wives will be captivated by the endless supply of blue-ribbon tunes, including I Got a Gal in Kalamazoo, At Last, and Serenade in Blue. Guest stars include Tex Beneke, The Modernaires and the Nicholas Brothers. Watch for an uncredited Jackie Gleason as a bass player and Dale Evans as Anne Rutherford's friend in the soda-fountain scene. -- Hal Erickson, Allmovie.com

Stage Door Canteen (1943)
This literally star-studded musical drama was largely financed by Theatre Guild, with all proceeds going to various wartime fundraising concerns. Most of the story takes place at the Stage Door Canteen, a Manhattan-based home away from home for soldiers, sailors and marines (the real-life Canteen on 44th street was too busy to lend itself to filming, thus the interiors were recreated in Hollywood). Within the walls of this non-profit establishment, servicemen are entertained by top musical, comedy and dramatic acts, and waited on by such Broadway luminaries as Lunt and Fontanne, Katharine Hepburn, Jane Cowl, Katherine Cornell, Tallulah Bankhead, Helen Hayes, Cornelia Otis Skinner, Sam Jaffe and Paul Muni. Though the plotline-one of the Canteen servers, a girl named Eileen (Cheryl Walker) falls in love with one of the visiting soldiers (William Terry), despite the establishment's strict "no dating" rules-is merely an excuse to link together a series of specialty acts, it is superbly and touchingly directed by Frank Borzage. Not all of the film has weathered the years too well: particularly hard to take is Gracie Fields' cheery ditty about "killing Japs!" For the most part, however, the film works, and the guest performers-including bandleaders Kay Kyser, Guy Lombardo and Xavier Cugat, comedians Ray Bolger, Harpo Marx, George Jessel and Ed Wynn, and singers Ethel Waters and Kenny Baker-are in fine fettle. If nothing else, Stage Door Canteen offers the only appearance on film of the great Katherine Cornell, who offers a vignette of the balcony scene from Romeo and Juliet. Incidentally, the actor playing "Texas", Michael Harrison, later gained fame as cowboy star Sunset Carson. Originally released at 132 minutes, Stage Door Canteen is now generally available in the 93-minute TV version. -- Hal Erickson, Allmovie.com

A Song Is Born (1948)
A Song is Born is a musical remake of the 1941 comedy Ball of Fire, with the same producer (Sam Goldwyn) and director (Howard Hawks) at the helm. It will be recalled that the original film, co-scripted by Billy Wilder, was an amusing spin on "Snow White and the Seven Dwarfs," wherein seven pedantic professors, working on a dictionary of slang, "adopted" an authority on the subject, breezy burlesque dancer Sugarpuss O'Shea. In the remake, the septet of scholars are working on an encyclopedia of music, but they're held up on the subject of "swing." When nightclub singer Honey Swanson (Virginia Mayo), escaping from her gangster suitor Tony Crow (Steve Cochran), takes refuge in the professors' home, she offers to introduce them to the world of popular music. This proves to be quite a tuneful undertaking, since two of the professors are played by Danny Kaye and Benny Goodman! The tang and zest of original plotline has been muted to the point of harmlessness, but the film is saved by the presence of Goodman, his fellow bandleaders Charlie Barnett, Tommy Dorsey and Mel Powell, and specialty performers Louis Armstrong, Lionel Hampton and Buck & Bubbles. A Song is Born was Danny Kaye's final starring vehicle for Sam Goldwyn. -- Hal Erickson, Allmovie.com

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