Michael Hamman
-- Papers
HOME
Get Acrobat Reader for Reading .pdf Files
-
Hamman, M., 2002. "The Technical as Aesthetic: Technology, Composition, Interpretation,"
Musiques, arts, technologies--Pour une approche critique, ed. M. Solomos . 2002.
pdf
-
Hamman, M., 2002. "From Technical to Technological: The Imperative of Technology in Experimental Music Composition,"
Perspectives of New Music, Vol. 40(1), Winter 2002
pdf
-
Hamman, M., 2000.
"Priming Computer-Assisted Music Composition through Design of
Human/Computer Interaction," Mathematics and Computers in
Modern Science, ed. N. E. Mastorakis. World Scientific
Engineering Society.
html ,
pdf
-
Hamman, M., 2000. "From Technical to
Technological: Interpreting Technology Through Composition,"
Proceedings of the 2000 Colloquium on Musical Informatics,
L'Aquila, ITALY, September 2000.
html,
pdf
-
Hamman, M., Pamment, S., 2000.
"A C++ Framework for Generic Programming and Composition,"
Proceedings of the 2000 Colloquium on Musical Informatics,
L'Aquila, ITALY, September 2000.
html
-
Hamman, M., 1999. "Structure as Performance: Cognitive Musicology
and the Objectification of Procedure," in Otto Laske: Navigating
New Musical Horizons, ed. J. Tabor. New York: Greenwood Press.
pdf
-
Goudeseune, C., Hamman, M., 1998. A Real-Time Audio
Scheduler for Pentium PCs," Proceedings of the 1998 Ineternational
Computer Music Conference. SanFrancisco, CA: International Computer
Music Association. pp.158-162.
html
-
Hamman, M., 1998. "From Symbol to Semiotic: Computation
as Interaction," Proceedings of the 1998 Ineternational Computer
Music Conference. SanFrancisco, CA: International Computer
Music Association.
pp. 365-368.
html
-
Hamman, M., 1998. "A Physically Based Model
for Real-time Digital Synthesis of Analog-like Sounds," Proceedings
of the 1998 Colloquium on Musical Informatics.
html
-
Hamman, M., 1998. "ORPHEUS: Software for Interactive
Sound Synthesis and Computer-Assisted Music Composition," Proceedings
of the 1998 Colloquium on Musical Informatics.
html
-
Hamman, M., 1997, "Composition of data and process
models: a paralogical approach to human/computer interaction,"
Proceedings
of the 1997 International Computer Music Conference. SanFrancisco,
CA: International Computer Music Association. pp.109-112.
html
-
Hamman, M., 1997. "Interaction as Composition: Toward the Paralogical
in Computer Music," Sonus 18(1).
-
Hamman, M., Goudeseune, C., 1997. "Mapping
data and audio using an event-driven audio server for personal computers,"
Proceedings
of the 1997 International Conference on Auditory Display, pp. 83-87.
html
-
Hamman, M., 1996, "Three Clarinets, Cello, and Piano," in The Music
of Morton Feldman, ed. T. DeLio. New York: Greenwood Press, 1996.
-
Hamman, M., 1994. "A cybernetics of sound synthesis
practice and music composition," Technology and the Composer Conference,
1994.
html
-
Hamman, M., 1994. "Dynamically Configurable Feedback/Delay
Networks: A Virtual Instrument Composition Model,"
Proceedings
of the 1994 International Computer Music Conference. San Francisco,
CA: International Computer Music Association. pp.394-397.
html
-
Hamman, M., 1994. "Kirk Corey: Music from the Ivory Tower and Elsewhere,"
in Computer Music Journal 18(3).
-
Hamman, M., 1993. "Composing Composing Programs,"
Society of Composers National Conference, 1993.
abstract (html)
-
Hamman, M., 1991. "Mapping Complex Systems Using Granular Synthesis," Proceedings
of the 1991 International Computer Music Conference. San Francisco,
CA: International Computer Music Association. pp. 475-478.
-
Hamman, M., 1987. " Toward a Morphology of Presence:
the Sound Installations of Thomas DeLio," Interface 17(1) 1987.
abstract (html)