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References

1

Encore Parallel Threads Manual. Encore Computer Corporation, May 1988.

2

Interactive Music System User's Manual. University of Illinois CERL PLATO Music Group, 103 S. Matthews, Urbana, IL 61801, April 1984.

3

Introduction to the M4c Language. University of Illinois Computer Music Project, Urbana, IL, 1983.

4

Reference Manual for the MUSIC 11 Sound Synthesis Language. Experimental Music Studio, M. I. T., Cambridge, Mass., 1979.

5

Thomas E. Anderson, Edward D. Lazowska, and Henry M. Levy. The Performance Implications of Thread Management Alternatives for Shared-Memory Multiprocessors. Department of Computer Science, University of Washington, Seattle 89185, September 1988.

6

Craig Harris. A composer's output system: practical considerations. Computer Music Journal, 11(3), 1987.

7

Hubert Howe. Electronic Music Synthesis. W. W. Norton & Company, 1975.

8

Max V. Matthews. The Technology of Computer Music. M. I. T. Press, 1969.

9

Stephen Pope. Hyperscore toolkit. 1988. For more information, contact stp @ ParcPlace.com.

10

John Rahn. Computer music: a view from Seattle. Computer Music Journal, 12(3), 1988.

11

Carla Scaletti. An interactive graphic environment for object-oriented music composition and sound synthesis. In N. Meyrowitz, editor, Proceedings of the 1988 Conference on Object-Oriented Programming Systems, Languages, and Applications, 1988.

12

Carla Scaletti. Kyma: an Interactive Graphic Environment for Object-Oriented Music Composition and Real-Time Software Sound Synthesis Written in Smalltalk-80. Department of Computer Science, University of Illinois at Urbana-Champaign 61801-2987, February 1989.

13

Carla Scaletti. The kyma/platypus computer music workstation. Computer Music Journal, 13(2), 1989.

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Bjarne Stroustrup. The C++ Programming Language. Addison-Wesley, 1986.

15

Richard Wiener and Lewis Pinson. An Introduction to Object-Oriented Programming and C++. Addison-Wesley, 1988.